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  • 上帝是个女人影评
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  • 剧情介绍
  The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image.
  In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
  

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《上帝是个女人》详细介绍

影片名称/别名:上帝是个女人|
视频集数:HD中字
上映时间:2023年
视频更新时间:2024-09-17 21:10
国家/地区:法国
影片语言:其它
IMDB评分:6.0分
影片导演:Andrés Peyrot
影片演员:内详
资源类别:全集无删减
视频总人气:加载中...
剧情介绍:Andrés Peyrot导演执导的《上帝是个女人》,该影片在2023年大陆发行,上映至今获得了较好的口碑,由内详 等主演的一部不错的电视剧。
  The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image.
  In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
  
(本介绍由喜欢看电视剧视频的百度编辑,更多相关信息可移步至豆瓣电影、电视猫或剧情网等平台了解)
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